Musrasrik cites authors and poets like Yeats, Genet and Zola as her primary lyrical influences. XXI sees an allegorical look at the elements and their related mythologies. Talks about Lilith, the Orphic poems, ocean and nature deities, Dionysus, Arthurian literature, fly agaric as soma, the cosmic egg, and the Boxer Rebellion.
On XXI, Succumb set out to make an album that feels more immediate & unpredictable, with a more aggressive production and the vocals much more front & center.
XXI is titled after The World—final tarot card in the Major Arcana. Its imagery typically features a tetramorph that refers to the four directions or the four elements. Its upright meaning represents completion. Its reversal represents fixity. The album art is Stefan Thanneur’s interpretation of the album’s allegorical treatment of the elements and the alchemical union of opposites.
Succumb was formed in 2014 by a group of friends with diverse musical backgrounds who share a common love for Canadian death metal, war metal, and 1990s Napalm Death. That same year they released a demo under the name Cloak and played a handful of local shows, attracting the attention of The Flenser. The following year they were joined by Harry Cantwell (Bosse-de-Nage, ex-Slough Feg) on drums and got to work writing their self-titled debut album.
Recorded with Bay Area luminary Jack Shirley (Deafheaven, Bosse-de-Nage, Botanist, Oathbreaker, etc.) — also at the helm for the new album XXI — Succumb released their self-titled debut album in May of 2017 and received praise from publications around the globe. Blocland called it “one of the year’s most intriguing metal listens” and PopMatters named it one of the best metal albums of the year, citing: “Musrasrik’s insane delivery makes Succumb one of the strongest metal debuts to come out in 2017.” The 8 new tracks that comprise XXI are sure to continue this arc of praise.
1. Lilim
2. Maenad
3. Okeanos
4. Smoke
5. Graal
6. Aither
7. Soma
8. 8 Trigrams